CHINESE ZODIAC ART TRAIL
The Chinese New Year Zodiac Arts Trail maps out the animal signs of the Chinese Zodiac through twelve original artworks by local Wellington, New Zealand and internationally-based artists in a walkable trail through Wellington’s CBD and waterfront.
Reflecting a contemporary Asian-Aotearoa New Zealand perspective, these works are created by a diverse group of artists with strong links to China and Aotearoa New Zealand - Stan Chan and Kerry Ann Lee, Guy Ngan, Rossano Fan, Daniel Belton, Simon Kaan and Kim Lowe, Jade Townsend, Tien Wei Hee, John Lake, Moniek Schrijer, and Benjamin Buchanan, Yin-Ju Chen and Erica Sklenars.
All artists will draw on their unique experiences through artist residencies in Aotearoa New Zealand and in China to bring diverse cultural ideas and narratives into Wellington’s public spaces and create a new, intriguing experience of walking through Wellington city.
A programme of activities and activations will also take place at selected sites to further enhance audience experiences of the work.
TRAIL ARTIST BIOS
+ Stan Chan
Stan Chan is a highly respected member of the Chinese community who has been teaching and painting through InkLink Studio in Wellington’s iconic Cuba Mall for 40 years. He practises and teaches traditional Chinese brush painting and calligraphy, as well as western oil and watercolour techniques. Stan studied art in Hong Kong before coming to Aotearoa New Zealand in 1972, where he worked as an art director, prior to establishing his own studio in 1979 to work as a full-time artist and freelance art director. He has shown extensively in group and solo exhibitions throughout New Zealand. Chan is a member of The New Zealand Academy of Fine Arts, NZ Oriental Arts Society, Wellington Society of Watercolour Artists and the Wellington Art Club, and regularly paints on stage with performers and music for the Chinese New Year Festivals in Wellington.
+ Guy Ngan (1926-2017)
Guy Ngan 顏國鍇 was a second-generation Chinese-New Zealander born in Wellington whose parents originated from Guangzhou, China. Appointed an Officer of the Order of the British Empire for services to the arts in 1983, Guy’s expansive practice included sculpture, architecture, painting, printmaking and public art commissions. With a unique perspective on art, architecture and community, Guy Ngan crossed cultural and social boundaries with a visual language that was unmistakably his own. He exhibited extensively both nationally and internationally, and created over 40 public woodcarvings, sculptures and murals throughout Aotearoa New Zealand, with work also commissioned for the Asian Development Bank, Manila; Air New Zealand in Tahiti; the United Nations Building, New York, and the New Zealand Olympic team in Beijing. Ngan was inducted into the Massey University College of Creative Arts Toi Rauwhārangi Hall of Fame in 2012. His work is collected extensively, including by the Wellington City Council, and he had a retrospective exhibition at The Dowse Art Museum, Lower Hutt in 2019.
+ Tien Wei Hee
Wellington-based multidisciplinary artist and illustrator Tien Hee, aka T-Wei, draws inspiration from vintage cartoons, semiotics, and methods of reproduction in his animation-like imagery. Blurring abstraction and the representational, he has created works for Rollingstone Magazine, Jetstar, Bravado, Fool's Gold Records, Garage Project Brewery, for music videos, and street murals in public space. Recently Hee collaborated with Sideshow Collectibles on designer toys and a Marvel-licensed print. Graduating from Massey University in 2012 with 1st class honours in illustration, Hee was selected for the 2014 Pictoplasma Masterclass in character creation, Berlin, following an inclusion in their show in Monterrey’s Museum of Contemporary Art. He has exhibited at Chengdu Creativity & Design Industry Expo in conjunction with Chromacon and Moonlight Gallery, 2017, at Chromacon Indie Arts Festival, Auckland, 2019, and Designercon, Los Angeles, 2019.
+ Jade Townsend
Whanganui-born, Auckland-based multimedia artist Jade Townsend works from and through cultural intersections to explore translation and navigation. Her interest in whakapapa and the origin of things is inspired by her Ngāti Kahungunu, Pākehā and Liverpudlian heritage. Her ongoing interest in consumer behaviours propelled by tourisim and mass consumption has seen her look to residue materials, transforming the detritus of closed mega-department stores and tourist and local marine industries into staged photographs and delicately woven painted collage and textile works. Graduating with honours in Fine Art-Painting from Manchester Metropolitan University(2010), Townsend exhibited at UK Hermès boutique stores, and at Pataka Art Gallery & Museum, Porirua, The Dowse Art Museum Lower Hutt, Te Tuhi Contemporary Gallery, Auckland, the Westpac Stadium Mural Project, Wellington. Townsend was invited to undertake an artist residency and exhibition at the prestigious Slade School of Art with Camden Arts Centre, London, in 2017, and was the first female artist invited to exhibit at the exclusive Comme des Garçons boutique at the IT Beijing Market, achieved through her 2014 WARE residency in Beijing. Townsend has just finished a mini-residency with Objectspace and will be exhibiting at Objectspace, Ramp Gallery and RM Gallery in early 2021.
+ Simon Kaan
Dunedin-born and -based printmaker, painter, performance artist and curator Simon Kaan (Kāi Tahu, Chinese and European descent) utilises sepia tones, washed out lines and floating, waka-like imagery to depict mythological places of land, sea and sky in his meditative works. Graduating with a Diploma of Fine Arts with Honours in 1993, and undertaking an artist residency in 2000 at Otago Polytechnic, Kaan first travelled to China in 2003 - the first member of his family to visit China since his grandfather arrived in Port Chalmers in 1896, followed by the 2004 WARE artist residency and exhibition at the Red Gate Gallery, Beijing, Kaan visited China for the third time in 2007, again exhibiting at Red Gate Gallery. Kaan has undertaken commissions for the Department of Conservation and the Maori Select Committee, New Zealand Parliament and has exhibited in private galleries and public institutions including the International Symposium on Electronic Arts, IAIA, Santa Fe, New Mexico; Blue Oyster Project Space, Dunedin; The Suter Te Aratoi o Whakatu, Nelson; Burringa Gallery, Melbourne; Dunedin Public Art Gallery; Christchurch Art Gallery Te Puna o Waiwhetu.
+ Erica Sklenars
Wellington-based artist and designer Erica Sklenars works in new media, video art, installation, and performance, exploring modes of communication between pop culture and underground cultures, DIY adaptation and technology hacking. Graduating with a Masters of Fine Arts from Massey University, Sklenars undertook the 2015 Wellington Asia Residency Exchange with Red Gate Gallery, Beijing and was invited back in 2017 for a second residency. In 2019 Sklenars undertook the In-situ Hong Kong artist residency. Working with sound artists and musicians to create performance environments, as ‘Lady Lazer Light’, Sklenars has created installations for Lux Light Festival Wellington; The Performance Arcade; Urban Dream Brokerage; Hildelund Arts Festival, Sweden; Fusion Festival, Germany; 16th OPEN International Performance Art Festival, Beijing; fashion label Nom*D and musicians Orchestra of Spheres, The All-Seeing Hand, Lord Echo, The Black Seeds, French for Rabbits and Estere.
+ Kim Lowe
Ōtautahi Christchurch-based, fourth-generation-Chinese/Pākehā painter and printmaker Kim Lowe explores ancient Chinese philosophy, landscapes, faux/historical points of view and aspects of Chinese aesthetics and painting techniques in her work. Graduating with a Master of Fine Arts in Printmaking at the University of Canterbury School of Fine Arts in 2009, in 2012-3 Lowe coordinated Shared Lines: Sendai-Christchurch Art Exchange in Japan, Christchurch and Queenstown, and established the shared art and music workspace Toi Te Karoro (Art New Brighton) in central New Brighton. The recipient of the prestigious Olivia Spencer Bower Foundation Award and residency in 2019, Lowe has exhibited nationally and internationally, recently at Chambers and Ilam Galleries, Christchurch, Museum Kranenburgh and Gallery Schlessart Bergen, Netherlands, and at the Impact9 International Print Conference, Hangzhou China. Her work is held in public and private collections including Te Puna o Waiwhetū Christchurch Art Galley (OSB) Collection, James Wallace Arts Trust and the NZ Ministry of Foreign Affairs and Trade Collection.
+ Kerry Ann Lee
Kerry Ann Lee is a visual artist, designer and educator from Wellington, New Zealand whose work explores urban settlement and culture clash occurring in the Asia-Pacific region in particular Chinatowns. Lee's practice-based research into the Cantonese Chinese Diaspora around the Asia Pacific over the past decade, has seen her actively contribute to this field through many artworks, installations, and in 2007 was the recipient of the Asia New Zealand Emerging Researcher Award. She regularly works and exhibits both nationally and internationally. In 2009 Lee received a Fulbright Award to attend the Summer Residency Program at the School of Visual Arts (SVA) in New York City, and she was an artist-in-residence at island6 Art Centre Shanghai through the WARE (Wellington Asia Residency Exchange) Programme. In 2012, Lee was the inaugural Asia New Zealand artist-in-residence at the Taipei Artist Village in Taiwan and attended the SOMA Summer residency programme in Mexico City in 2016. Lee was Creative Director of the national arts festival and symposium Asian Aotearoan Arts Hui 2018 hosted by Massey University in partnership with Te Papa Tongarewa, and, also at Te Papa in the same year, was commissioned to create Return to Skyland, an immersive and multi-layered art and social environment for the Terracotta Warriors: Guardians of Immortality exhibition. Lee is a Senior Lecturer in the School of Design at Massey University Wellington.
+ Daniel Belton
Dunedin-based Daniel Belton is an internationally celebrated dance-film maker and choreographer. He is an accomplished multi-media arts practitioner with over 30 years-experience working in film, cinematography, projection mapping, motion capture, fine art, sound, and design. He was the recipient of Creative New Zealand’s Choreographic Research Residency, visiting Media Artist in Residence at Massey University, and Arts Council of New Zealand’s Choreographic Fellow. In 2015 he was made an Arts Foundation of New Zealand Arts Laureate. Daniel’s production company Good Company Arts creates live events and installations through the fusion of multiple art forms. With an established reputation as innovators, Good Company Arts brings powerful multi-media arts experiences to diverse spaces, venues and festivals at Arts House Singapore, Xintiandi Festival Shanghai, and the National Museum of Singapore and throughout Asia, the Pacific and Aotearoa New Zealand. In 2019 they were awarded first place in the prestigious Sino x Niio Illumination Art Prize, Hong Kong.
+ Benjamin Buchanan
Ngāmotu New Plymouth-born artist and musician Benjamin Buchanan, of Te Ātiawa, Taranaki and Pākehā descent, engages in the visual worlds of abstraction and pattern-making through with various media including painting, installation and mural-making; his works swinging between small, intimate moments to large-scale immersive installation. Buchanan’s expansive practice spanning twenty plus years playfully explores the narrative potential of abstraction, it's possible personalities and modernist status as imperial signifier, while encompassing pattern-making as Indigenous practice, outside of the dominant Western canon. Buchanan graduated from Otago School of Fine Arts in 1993 and Auckland University Elam School of Fine Arts in 1998, Buchanan is currently undertaking an MFA at Massey University Wellington. He has presented solo exhibitions at Dunedin Public Art Gallery and the Dowse Art Museum. Buchanan was the 2012 recipient of the WARE residency, exhibiting at Beijing International Design Week and has undertaken an Asian NZ residency in Bangalore, India. His work is held in private and public collections including at Wellington City Council, and he exhibits widely, in international and national solo and group shows in dealer and artist-run spaces.
+ John Lake
Wellington-based photographer and documentarian John Lake works within environmental portraiture and documentary photography. Graduating with a Masters of Fine Arts, and tutoring in photography at Massey University Wellington, Lake has exhibited his photography series at The Dowse Art Museum, Lower Hutt, Adam Art Gallery and Thistle Hall, Wellington and St Paul Street Gallery, Auckland. Lake also makes video and interviews focussed on the intersection between music, culture and socio-political scenes in different cultural contexts, most recently in Manila, Phillipines, talking with punk band THE EXSENADORS and hip hop collective SANDATA in 2019 on their responses to the extrajudicial killings under President Duterte’s rule. Lake undertook the 2013 WARE residency, creating a cultural exchange and collaboration between the Wellington and Beijing punk scenes through exhibiting at Red Gate Gallery and producing the zine ‘Up the Punks Beijing’, about the city’s punk music culture.
+ Yin-Ju Chen
Taiwan-born, Taipei-based artist Yin-Ju Chen’s works explore planetary-scaled themes; human and nature, the collective (un)-consciousness, power and totality, past, present, and future catastrophes, and religion. Utilising sacred geometries and alchemical symbols, Chen interprets social power and history through cosmological systems. Chen has participated in many international exhibitions and film festivals; Taipei Biennial, Gwangju Biennale, the 5th Ural Industrial Biennial of Contemporary Art, International Film Festival Rotterdam, Transmediale, Liverpool Biennial, Biennale of Sydney. Chen undertook the 2017 WARE artist residency in Wellington, exhibiting at City Gallery Wellington in Occulture: The Dark Arts, curated by Aaron Lister, and travelling within Aotearoa New Zealand.
+ Moniek Schrijer
Wellington-born and -based jewellery artist Moniek Schrijer skilfully adapts and alters materials - collected largely from second hand and recycled sources - using a variety of traditional and unconventional jewellery techniques that allow her pieces to move between the jewel and the object. Graduating with a Bachelor of Applied Arts and a Post-Graduate Diploma in Jewellery and Printmaking from Whitireia, Schrijer has undertaken the 2016 Herbert Hofmann Preis and the 2015 Françoise van den Bosch artist residencies in Amsterdam, The Netherlands, and in 2017 Moniek explored the transformative elements of memory, the souvenir and the replica alongside the mass-produced, cryptocurrency and the ancient coin form for her exhibition Diamonds and Rust at the Chinese European Arts Centre Gallery the culmination of her 2017 WARE residency in Xiamen, China. Schrijer has exhibited widely in group and solo exhibitions, with her work in significant public and private collections of Museum of New Zealand Te Papa Tongarewa and The Dowse Art Museum. Schrijer exhibited at the Museum of Art and Design, New York in 2019 and at Objectspace, Auckland, in 2020 and will undertake the McCahon House artist residency in 2021.
DETAILS OF ARTWORKS
+ Dragon 龙
Guy Ngan 顏國鍇 (1926-2017)
Chinese New Zealander and prolific artist Guy Ngan was known for his biomorphic modernist works that combined Pacific motifs, Chinese calligraphy and forms from the natural world.
Dragon Five 1986, originally an ink and watercolour work on paper, depicts an abstracted, sinuously sweeping dragon form in the colours of the rainbow, with stylised curvilinear line drawings defining the dragon’s body, under a golden yellow pearl, representing the soul of the Dragon.
Wellington-born second-generation Chinese New Zealander Guy Ngan’s practice encompassed sculpture, architecture, painting, printmaking and over 40 public artworks throughout Aotearoa New Zealand. Appointed to the Order of the British Empire for services to the arts 1983, Ngan exhibited internationally and nationally, with a retrospective exhibition at The Dowse Art Museum, 2019.
Courtesy of Liz Ngan and the artist’s estate.
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+ Snake 蛇
Daniel Belton
Inspired by early Pacific Island and Asian cosmology and astronomy, these still images from the digital dance performance Astrolabe-whakaterenga (pounamu) evoke indigenous knowledge systems and the movement of celestial bodies, acknowledging the oneness of all life.
Shaped to evoke a snake, this work references the serpent-shaped constellation of the Chinese Chunyou Star Chart, engraved in the year 1247, as dancers, augmented through digital technologies, glide through non-space, at once ancient and futuristic.
Dunedin-based dance-filmmaker and choreographer Daniel Belton and his company Good Company Arts have performed throughout Asia and the Pacific, with Belton awarded a 2015 Arts Foundation New Zealand Arts Laureate, and the Sino x Niio Illumination Art Prize, Hong Kong, 2019.
The Astrolabe Pounamu wide print is available for purchase - visit HERE
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+ Tiger 虎
Rossano Fan 范明正 (1938-2017)
Chinese New Zealander Rossano Fan was an architect and prolific artist, painting delicate watercolours and dynamic oil works on paper of portraits, nudes, landscapes and Chinese calligraphy. Here, his vital, uncompromising style and brilliant colour usage imbue a passion to these works, reflecting his fascination with women, both in Fan’s family and wider life, together with tea, bowls of food, children and Fan himself.
Born in the year of the Earth Tiger, and depicting himself with brushstrokes tinged with gold, Fan’s complex, spirited and ambitious nature saw him a dissident of the Chinese communist regime that he had left on coming to Aotearoa New Zealand in 1963. He worked relentlessly throughout his life to become a scholar and renowned architect, spending his last years travelling and painting.
Courtesy of Lisa Fan Joe and the Fan family.
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+ Pig 猪
Yin-Ju Chen 陳瀅如
Oriented by the House of Dumplings locale on Taranaki St named for the mountain sacred to Māori, and the building’s previous life as the Hong Kong Café, artist Yin-Ju Chen takes inspiration from Hong Kong and Aotearoa New Zealand’s mountainous landscapes surrounded by ocean in her work for the Pig zodiac sign.
Quoting the ancient Chinese Han-dynasty text, 山海经, Shan Hai Jing, Classic of Mountains and Seas, a collection of mythological geographies and fantastical beasts, Chen re-imagines the fabled pig-like animals Long qi and Fei-yu in a contemporary woodcut-esque graphic.
Taiwan-born and based artist Yin-Ju Chen explores cosmological and mythological systems in her practice. Having participated in many international exhibitions and film festivals, Chen undertook the 2017 WARE Asia NZ artist residency, exhibiting in Occulture: The Dark Arts at City Gallery Wellington.
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+ Rooster 鸡
Moniek Schrijer
A gold-leafed metal gate opens Moniek Schrijer’s work depicting symbols of good luck and contemporary mass consumption for the Rooster zodiac sign.
On thin metal paintings framed by baroque-inspired doors, a bunch of gladiolus splays out like a rooster's tail on an iridescent background of strawberry quartz—the Rooster’s good-luck flower and gemstone. Below, patterns of repeated cock’s-comb flowers in brilliant greens, blacks and oranges emulate the colours of wild roosters. Inside, silhouettes of dissected chicken cuts are edged with ‘chicken eyeglasses’ designed to prevent feather-pecking, on a background of egg-esque golden arches, echoed with half-egg shapes on Chinese blue panels.
Wellington-born and based jeweller and artist Moniek Schrijer has undertaken residencies in Amsterdam, The Netherlands and Xiamen, China, with her work in the Museum of New Zealand Te Papa Tongarewa and The Dowse Art Museum Collections.
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+ Horse ⾺
Erica Sklenars
A golden sunset-tinged ‘waterfall of horses’ floats through the windows of Gelissimo Gelateria, as Internet-sourced stock photographs of horses are affectionately rendered with beautifying filters and lily and jasmine flowers, evoking good luck for the zodiac sign of the Horse and the ultimate in horse-girl energy and wholesome tween-feminism.
Trending in 2014, the last Year of the Horse, the ‘wholesome’ meme Internet phenomenon centred on romance, happiness, sentimentality and a belief in chasing after your dreams, traits of the Horse zodiac sign.
Wellington-based artist and designer Erica Sklenars works in new media, video art, installation and performance, creating performance environments as Lady Lazer Light with Aotearoa New Zealand and international performers. Every night from 5-28 February, 5-10pm, Sklenars radiates projections onto the outside plaza space.
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+ Rabbit 兔
Jade Townsend
Fascinated by the commonalities between Māori and Chinese on her Beijing residency, Jade Townsend draws on the cultures’ mutual love for the colour whero/red, depicting the rabbit in Chinese red, symbolising luck, happiness and hope for the future, as the artist’s young son was born in the Year of the Rabbit. Facing east, a good luck direction, Townsend’s rabbits reveal the five elements of the Zodiac through the ancient Chinese folk art of paper-cutting – from left to right, Wood, Fire, Earth, Metal and Water.
Whanganui-born, Auckland-based artist Jade Townsend (Ngāti Kahungunu, Pākehā, Liverpudlian) explores materials and mass consumption in her multimedia works. Exhibiting regularly, she has undertaken artist residencies for WARE in Beijing, China and at London’s Slade School of Art, Camden Arts Centre.
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+ Ox 牛
Stan Chan 仕丹陳 & Kerry Ann Lee 鄺南燕
Wellington-based Chinese artists Stan Chan and Kerry Ann Lee bring their unique intergenerational expressions of diaspora Chinese culture to celebrate New Year, or Ho Sun Nian 賀新年 in Cantonese, the language of Wellington’s first settler Chinese community.
Signifying persistence, strength and patience, Stan Chan’s oxen swimming underneath overhanging pōhutukawa flowers give an Aotearoan twist to a traditional Chinese scene in Year of the Ox, while Kerry Ann Lee’s oxen nestle in with market garden produce, calendars and chubby babies in Big Bumper Crop.
Stan Chan practises and teaches traditional Chinese brush painting and calligraphy, studying art in Hong Kong before coming to Aotearoa New Zealand in 1972 and establishing his Cuba St artist studio InkLink in 1979. A visual artist, designer and educator from Wellington, Kerry Ann Lee has exhibited extensively, was Creative Director of the Asian Aotearoan Arts Hui 2018, and was commissioned to create the immersive Return to Skyland 2018 for Te Papa Tongarewa.
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+ Monkey 猴
John Lake
Documentarian John Lake’s photo-collage for the Seyip Association offers a glimpse into an historic 1910 scene from Guangdong / Canton city, through a postcard image showing a small crowd of people in a busy street, overlaid with two lucky golden monkeys imprinted from a Year of the Monkey Golden State Mint souvenir coin. Floating fruits reflect the market gardener professions of many in Wellington's Chinese community, with peaches representing longevity for the monkey zodiac sign.
Wellington-based photographer and documentarian John Lake tutors in photography at Massey University Wellington, and undertook the 2013 WARE residency, creating a cultural exchange and collaboration between the Wellington and Beijing punk scenes.
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+ Rat 鼠
Ben Buchanan
Artist Ben Buchanan imagines a post-human future where the rats have survived, the sky is pink and the remnants of humanity float in the blue ocean. The transformation of the Jervois Quay overbridge oscillates between optical illusion and simple, bold abstraction in this large-scale immersive installation. A place to make waves, and a place to celebrate our non-human friends, Rat Bridge offers a warning in our time of climate change, and considers how ecological systems, together with human technology can create positive outcomes for a shared future.
Ngāmotu New Plymouth-born artist and musician Benjamin Buchanan’s (Te Ātiawa, Taranaki, Pākehā) expansive practice has seen him undertake the 2012 WARE residency, exhibiting at Beijing International Design Week and the 2013 Asia New Zealand residency in Bangalore, India. Buchanan is currently undertaking an MFA at Massey University Wellington.
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+ Sheep 羊
Tien Wei Hee 許添威
Designer and artist Tien Wei Hee’s (a.k.a. t.wei) work fig.sheep illustrates the Sheep zodiac sign’s characteristic of creativity in a fun, playful and surrealist way. Taking a fluff-ball sheep-wool motif, t.wei reinterprets Aotearoa New Zealand’s ovines as dreamy floating sheep-rainclouds with swirling rainbows, surrounded by stars in a dust-up, sheep as the petals of a flower, the leaves of a tree, sheep thinking of sheep thought-bubbles, and even a dead sheep cut as if from thick-sliced clouds.
Drawing inspiration from surrealist comics, wooden toys and museum visits during the artist’s creative exchange in China, Hee has created designer toys, a Marvel-licensed print, designed for Jetstar, Rolling Stone magazine, Garage Project Brewery, a street mural for QT Wellington Museum Hotel and exhibited at Chengdu Creativity & Design Industry Expo with Chromacon and Designercon, Los Angeles.
t.wei and New Zealand Portrait Gallery Te Pūkenga Whakaata have collaborated on a children’s activity – it’s inside!
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+ Dog 狗
Simon Kaan & Kim Lowe劉 琴
Painting directly on the door of the Poon Fah Association, artists Simon Kaan and Kim Lowe create an evolving and intuitive painting for the Dog zodiac sign, or kuri in te reo Māori.
With a shared visual meditative language of muted tonal palettes and floating imagery, their works often depicting mythological places of land, sea and sky. Both artists are interested in physically and virtually sharing space and ideas, using this collaborative work as a platform to work together, engaging with both the locale and passers-by.
Dunedin-based printmaker, painter, performance artist and curator Simon Kaan (Kāi Tahu, Chinese, Pākehā) traces his ancestry to Poon Yu / Poon Fah from Satu village in Guangzhou, and has travelled to China with Christchurch-based painter and printmaker Kim Lowe, a fourth-generation Chinese New Zealander. Both artists exhibit nationally and internationally, have completed public commissions and have works held in Christchurch Art Gallery Te Puna o Waiwhetu.
Artist Kim Lowe wrote this horoscope for the Dog zodiac sign as part of her and Simon Kaan's work for the Poon Fah Associationn building.
Kuri, Dog in metal Ox, year 2021.
People born in a dog year usually display characteristics of dogginess; loyalty, faithfulness, and are cute and fluffy behind the ears; but they can be real bitches if left on their own for too long.
If you are a Dog, this year you should make the most of the extra work opportunities that come your way. Expect a good dose of fortune in wealth and possibly also notoriety or fame, but it will be important to get plenty of rest so you don't burn out. Remember to breathe and plant trees.
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